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HBO Sunday Roundup
John from Cincinnati. You'll notice there is no spoiler warning on this post. There's a reason for that. The chief significant development--John announcing (again) that "Sean will soon be gone"--was in last week's preview. Other than that, while there were a few nice moments in Palaka's motel-tub treatment session and Dickstein's going all Close Encounters by scrawling John's circle-and-line symbol in wet cement, this episode seemed like a lot of fill and not a lot of build. Also, any theories as to why I should care about anything that happens to Linc and his business are welcomed.
Incidentally, a new comparison for this show came to mind during one of the promos for HBO's theatrical-repeat movies. Mystical intervention, the arrival of a supernatural being, a group of eccentrics congregating together in a motel: is this David Milch's Lady in the Water? (OK, that was an apartment building, but I still find myself looking out for scrunts.)
Entourage. For the second time this season, my increasingly tempermental HD Tivo (more on that later) crapped out on me, freezing at the end of JFC and failing to record Entourage. Which means either that my Tivo is an erratic piece of high-end hardware or that it's a highly intuitive device, and it is trying to protect me from the current season of Entourage. Is it a bug, or is it a feature?
Flight of the Conchords. Once again, it's not what this show does but how it does it: Not simply that the band would take a meeting with a greeting card company but that there would be a demo card playing Greensleeves. Not simply that it would find an excuse to work in Jemaine's priceless David Bowie imitation (and "Bowie Song") but that he would specifically choose to impersonate Bowie from the Ashes to Ashes video and Labyrinth. In fact, I may be overreading it, but it even seemed like his Bowie impersonations were each in a voice appropriate to the Bowie period. Like freak-you-out-isms of the 1972 Bowie: "Oh, the media monkeys and the junket junkies will invite you to the plastic pantomime." Memo to self: change job title on business cards.
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From what I could tell, the Stinkweed meeting concerned how to balance e-commerce sales with the brick and mortar surf shops that were the face of the company. Linc's freakout showed that he's admitted there's something freaky going on with John and the "miracle boy", and it's not a good idea to use him to sell surfboards anymore.
I think it's very significant that Butchie isn't dope sick. He cops but doesn't use, and tells Kai he doesn't want to. Anyone who's had any experience with addiction knows that "want" has nothing to do with it -- your body physically needs the drug and without it you're going to be in rough shape. Yet John's first question to Butchie, "What do you want?" shows that we do have free will to make choices in our lives. It appears Butchie's chosen surfing and fatherhood over dope. But isn't it Mitch Yost who's supposed to get back in the game?
John's sermon from last week made me think about how the idea of God relates to human communication and technology. From the drawing of a stick figure on a wall, to writing a word, to the Internet and the zeroes and ones in Cass's camera (binary solo!). Does the proposed Shaunie Yost website fit into this somehow? And who's to say that if God had an urgent message for us, He wouldn't just post it on YouTube?
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John's big monologue from last week makes me want to say is JFC is like Milch's Waiting For Godot, but I don't know if the rest of the series holds up to that comparison.
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@BB: One thing I meant to mention in the post was that, from what I saw of Dickstein's drawing, God's message to man is apparently ASCII art:
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^Which would then make JFC not Milch's Lady in the Water but its Me and You and Everyone We Know. Which I suppose is an improvement, but I don't know how much of one.
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So HBO took away Deadwood for this show??
I had a season pass. Three episodes later, I cancelled it.
Looking at these posts from time to time reaffirms to me that I did the right thing.
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