A blog about television by TIME’s TV critic James Poniewozik.

Will Your TV Go on Strike?

Good primer in today's Variety about the impact of a possible Hollywood writers' strike after the Guild contract expires at the end of the month. (In an extremely small nutshell, the writers are looking for a bigger share of revenue from all those non-TV ways in which you've been watching TV--downloads, DVDs and so on.) Says Variety, it's looking more like a matter of when than if, but the when involves several possibilities, each of which would hit the networks in a different way. Should writers walk out in November, crippling February sweeps? Wait until January, which would hurt spring TV and pilot season? Or hold off until June, when the actors' and directors' contracts run out? (Unlikely, says Variety.)

The strike would affect movies as well as TV, but no one watches them anymore, right? When and if there's a strike, the likely TV effects include:

* Late night will be among the earliest genres hit. The last strike, in 1988, took Carson and Letterman off the air, and of course today there are all the more shows on the line. Then...

* Scripted shows would peter out, though not immediately--with a strike in mind, networks and studios have tried to cram in as much production as possible. Still, a November strike should deplete the networks' stores by very early next year. Hence...

* American Idol will be even more of a steamroller than it already was. The 1988 strike launched a wave of primetime newsmagazines; this time, the space-fillers will probably be reality shows, both those already in the works and others being ordered up in case of emergency. And, hey, why not a fourth or fifth night of audition shows? Conversely...

* The cancellation guillotine may start choppin' early. It could be more cost-effective to shut down marginal series altogether than to bring them back again. But...

* There's always outsourcing! There is talk that networks may strike deals to air foreign shows to air during the strike gap, which may not be a bad thing. Why have NBC remake The IT Crowd when we can go to the source? Finally...

* Things could get hairy for shows like 24 and Lost, which don't have much margin for error in a schedule that crams them into the last half of the season without weeks off. Let's hope the Smoke Monster can write.

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  • 1

    Maybe there is still hope for a Pirate Master comeback if the writers go on strike. GAWD, let's hope it gets settled quickly.

  • 2

    I think they should turn The Golden Box into a real show. That was one of the funniest things I've ever seen when I watched that episode of 30 Rock last night. I was in tears.

  • 3

    James, "There's always outsourcing! There is talk that networks may strike deals to air foreign shows to air during the strike gap, which may not be a bad thing. Why have NBC remake The IT Crowd when we can go to the source?"

    I may have asked this question before, but I'll ask it again. Why does there seem to be so little original content on US TV? I know I'm not being fair. But it seems that many of our shows have an original British cousin that they are cloned from. Do any US shows get cloned into "original" series in other nations?

    I mean, you have the British Office which begat the US Office. Does Britian have a version of, say a 24?

  • 4

    Couldn't they just use Seinfeld Vision and digitally superimpose Jerry into the shows that go on strike?

    That at least would take care of NBC.

  • 5

    @Keith: The British version of 24 is 24. That is, there may be less incentive for other countries to clone American shows abroad because their viewers have proved so receptive to American exports.

  • 6

    (Please don't mess with Lost...please don't mess with Lost....please don't mess with Lost...)

  • 7

    Chad,

    If I recall, Lost was the only thing Jerry was interested in being inserted into.....oh, but that isn't you guys is it?

  • 8

    Are you kidding, Chaddogg? Lost could be repositioned easily into an unscripted reality show! A bunch of castaways divided into camps in a deserted locale, each trying to one-up the other? Brilliant! The only question is what to call it....

  • 9

    So the writers' union has effectively given up on including reality show "producers" and "editors" in their union? Or is that one of the issues in contention?

  • 10

    "Let's hope the Smoke Monster can write." lol - uncontainable chuckle burst out and strange looks from cube-hogs ensued.

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