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Dead Tree Alert: Strike Watch Edition! Also, Show Running on Empty
Lost show runner Damon Lindelof--who knows a thing or two about shows that people watch on the Internet--pleads the WGA's case with Desperate Housewives creator Marc Cherry.
My column in this week's print TIME is, shockingly, about the screenwriters' strike. It's largely a greatest-hits of subjects I've blogged about here, with the emphasis on how a prolonged strike could end up hurting both sides, by accelerating the audience attrition that was already a problem for TV in particular: "The producers and writers continue playing chicken on a railroad track, with you as the oncoming train."
Why am I knocking the writers and studios together here? Didn't I say I was on the writers' side about getting paid for their work on the Internet? Ethically, yes: it's only fair that writers get a cut, when their bosses are selling downloads and ads on streaming video, just like they do with reruns. I'd like them to be able to scare the bejesus out of their bosses and win their fair share in a short and nondisastrous walkout. But at least in nonfiction, wishing doesn't make things so. Just because I'm with the writers ethically doesn't mean I can ignore the fact that, practically, the writers and studios seem to be engaged in mutually assured destruction.
Let's end this on a happy note, though, shall we? If there's a slight hope that this strike may end sooner than it's looking, it may come from the show runners--the big-name producer-writers who create and oversee TV series. They've been walking out on their productions in unexpectedly high numbers, despite contracts obligating them to produce, though not write, during a writers' strike. This means that the networks will probably have even less time than expected before running out of episodes of primetime dramas and sitcoms. Maybe, just maybe, cross your fingers, this could pressure the studios to come back to the bargaining table and end this sooner.
I'm hoping so. Because if not, all those out-of-work screenwriters may invade every time.com blog, not just Nerd World. Cross-platform media competition works both ways! Nicely played, Selman.
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1
JP -
Any chance the strike will have network be more patient with new series that they have episodes of "in the can"? Or, would they even dare to bring back a show with unseen eps that has already been canceled - like, say Viva Laughlin? Because a new episode of Viva is better than a repeat of something else? -
2
@JATL: Dunno about Viva--that has such a stink on it that it would probaably be bad PR if nothing else. But yes and no. The strike probably spared some shows like Journeyman, but on the other hand, reportedly Big Shots is closing production for good, even if it burns off the rest of its episodes.
I'm skeptical of the idea that the strike will actually save any show in the long term, though. At best it'll delay cancellation, and more episodes will air.
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3
While we're asking questions, I have a dumb one: What's to keep network producers from buying rights to other, popular, international shows? Since the Writers Guild is basically American, is there anything stopping American Networks from creating contracts with, say, british networks to broadcast scripted shows as the strike drags on?
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4
@Ashley: (1) Not a dumb question and (2) other than the contractual arrangements of individual shows, there is nothing to stop them. They may well do it, and/or hire non-WGA TV writers from other countries.
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