A blog about television by TIME’s TV critic James Poniewozik.

Office Watch: Slappy Birthday

Spoilers for last night's The Office coming up after the jump:

Well, that's what I get for committing to something in print. Yesterday, in running down my personal contenders for the best comedy on air today, I made the case that The Office had gotten past its problem of making Michael Scott too crazy. Then came "Double Date," a decent episode, but one whose main problem was that—Michael Scott was too crazy.

It makes sense with Michael's character that he would impetuously commit to Helene, and have second thoughts. And it made sense—and was a lovely turn—that Pam would see the sweetness in his attention to her mom, just as it was too late. But to have Michael suddenly realize, while sitting at her birthday lunch, that she was much older than him (not exactly much of a secret) and thus has different priorities, drove him a little too far to the irrational/nutty side.

His change of heart was funny, definitely, and made for some of the best lines of the episode ("I am not robbing the cradle. If anything I am robbing the grave"). And it would have made sense to see him gradually realize that he and Helene weren't a match. To have it suddenly com on him at lunch, though, while it made for a funnier scene (and set up the symmetry of his and Pam's minds changing simultaneously), felt artificial. In the best episodes of The Office, character drives story, but here, the needs of the story were driving Michael's character.

On the plus side, however, the episode brought out another excellent performance from Jenna Fischer, who managed to bring some believable grounding to a hilarious setup: a pregnant lady beating up her boss in the parking lot to avenge her mom's honor. Her face showed the actual hurt and anger behind her hilarious ultimatum: "Never date anyone in my family again." And as The Office often does, the main conflict gave some spotlight moments to supporting characters, as when Toby gave Pam a boxing lesson in full view of his adversary Michael.

Not a bad episode, but it left me feeling that the show could have made better use of the How I Dated Your Mother storyline than it did. As for the best-comedy-on-TV competition: with Parks and Recreation knocking another one out of the park(s), week to week this is anyone's game.

[Update: It was a great Parks & Rec last night, but since I took a stab at the episode in my post yesterday and have limited time, I don't think I'll review separately, so feel free to discuss here. Also, credit to Alan Sepinwall for having used this headline about a Mad Men episode. I knew I'd seen it somewhere.]

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  • 1

    I feel that The Office has a knack for ending interesting storylines prematurely, as if the writers' room spontaneously realizes that it can't continue these forever and decides to kill them with the very next line. This happened with the Michael Scott Paper Company episodes (only two if I remember correctly).

    Yes, it is like Michael to make someone feel good then immediately deflate them, but Pam's acceptance of the happy couple was altogether independent of Michael's actions. This also left the show without a chance to give significant development in Pam and Michael's relationship: she hates him now like she has all series; we might as well be back at the pilot when Michael deadpan fires Pam, making her cry only to say, "Just kidding."

  • 2

    I disagree completely. As I was watching last night's episode I was thinking that it was tremendous vindication for your selection. i had no problem with Michael's sudden realization. He's been lonely for a long time. He hooked up with Pam's mom at the wedding and has had blinders on ever since. The more Pam fought him, the worse his blinders got. So it was totally believable to me that he would freak out upon hearing Pam's mom confirm her age to him. Also, the set up for the fight after work was the funniest scene I've seen all season.

  • 3

    Sorry James, I also disagree. I completely bought Micheal's sudden realization at lunch. Has he ever proved to us that he is someone who thinks things through before jumping in? No. Time and time again Micheal has to be hit over the head with something before he sees it himself. That part seemed right on cue. The unbelievable part for me was that it seemed to me that Jim knew what was running through Micheal's head and he never tried to step in to stop Micheal from breaking up with Pam's Mom on her birthday. Though, I guess it is completely possible that Jim was tired of getting involved in the situation and wanted to sit this one out.

    As for the best comedy question I would put The Office at the front. However, it was coincidental that yesterday your piece went up and last night even with an above average episode I found Community, 30 Rock, and Always Sunny funnier (Parks and Rec doesn't do it for me)

  • 4

    Hmmmm....so we're all convinced Pam's newfound enthusiasm for the relationship at lunch was totally sincere? I thought she might have been faking it so Michael couldn't use her as an excuse to break up with the mom. Am I too cynical? Wait--that's a rhetorical question.

  • 5

    I totally disagree on Michael's realization being forced. He's just that clueless about his own feelings, social norms, his libido and in many cases, obvious facts sitting right in front of his face. And he's been this shallow and cruel before, as on his blind date years ago where he told the woman that his previous gf had a boob job (or ditching the girl in the bar in Niagara for Dwight's "twins"). On the Michael crazy meter, this was not even a 7.

    But I agree on Jenna Fischer; excellent performance. Read all about my thoughts and see some nifty screencaps --- you know, IMAGES? -- in my review:

    http://wp.me/pCufw-8e

  • 6

    I didn't think the sudden realization was so unbelievable. But the fact that he then proceeded to break up with her on her birthday in front of her daughter was an awful, awful decision... and yet I don't think it was especially unbelievable for Michael to not be able to think over his issues for awhile and address them at a more appropriate time.

  • 7

    n the best episodes of The Office, character drives story, but here, the needs of the story were driving Michael's character.

    This is spot on. I hate when a show decides to make its character temporarily extremely stupid. It happened with Lily in the road trip episode of HIMYM and it's happened here and I can't approve.

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